The Blue Microphone's Yeti is a
triple capsule microphone priced at around $149.99 (available for less money on
amazon). So for the money you're going to spend on it, is it worth it?
Well to start, I'm just going to
give you 2 other options you can go with in case you aren't satisfied with the
Blue Yeti, although I would be utterly shocked if you were unsatisfied with it,
because it is a truly stellar device. Now the 1st other option is to go with
the cheaper, $99.99 Blue Microphone's Snowball. This microphone is rather cool
looking, as it resembles a snowball on a little stand, and comes in Chrome,
White, and Black. Now this microphone is cheaper, and of course, its quality
would obviously be worse than that of the Blue Yeti, but it does work
brilliantly for podcasting, voiceovers, singing, or really anything in general,
as long as your using it correctly.
Now the 2nd, more expensive option
is to go with the Blue Microphone'sYeti Pro, which will cost you a stock price
of $249.99 (amazon will be your friend again for saving some money on this
microphone). Now this microphone looks identical to the Yeti, except it is
Black and Gold, while the Yeti is all silver and chrome. The main difference is
that the Yeti has a sample rate of 48 khz, a bit rate 16 bits, and a headphone
amplifier with a signal to noise of 100dB, while the Yeti Pro has a sample rate
of 192 khz, a bit rate of 24 bits, and a headphone amplifier with a signal to
noise of 114dB, which is quite a step up. Now the Yeti Pro also has an XLR
cable, while the Yeti uses only USB. Otherwise, they have the same 3 capsules
with the same polar patterns (cardioid, stereo, bidirectional, and omnidirectional),
frequency response, sensitivity, impedance, power output, THD, system
requirements, weight, dimensions, and max SPL. So keep in mind, if you don't
have a pre-amp, you will need to buy one in order to get the XLR signal to
work. So something like the Blue Microphone's Icicle could work, because it
converts XLR into USB, and keeps the quality, just making it possible for your
computer to read the signal. This microphone is amazing, but for the average
person, it is useless, because the average person will never need the quality
of this microphone. The Yeti, or even the Snowball will match mostly everyone's
needs easily, and make it a fun, and enjoyable experience.
Now about the Yeti, I found it
incredibly easy to use. No drivers, just plug and play. Now because this
microphone is so sensitive, I found my self struggling to not make any moves.
If I literally moved my mouse, it would sound like a massive earthquake passing
by, and I wouldn't even hear myself move the mouse, while the microphone did.
This just shows how sensitive the Yeti is. This pressures me into buying their
shock mount (which I still have to buy), because I wanted to be able to move
freely, and not have to constantly drive myself insanse over staying still. Now
because I don't find it too comfortable to be 6 inches away from the
microphone, I adjusted the gain to around 65-75%, which allows me to
comfortably sit around 2-3 feet away, and the microphone still picks me up
fine.
I also found it a necessity to be
able to move my head left and right, and still have the microphone pick me up
perfectly. It lacked a tiny bit, because I noticed when I moved my head, it
picked me up slightly less, but that is still pretty awesome. The reason I need
to turn my head is because in my business, I need to do voiceovers of product
reviews, and I can't keep my head staring at the microphone. I have to look at
my screen to see what is playing, so I can know what I have to say in order to
have the audio tie into the video at the right time. So the ability to do that
is marvelous.
You may be wondering if I felt
that anything was slightly cheepish about the microphone. The answer is yes,
yes I did. The gain knob and the headphone volume knob both shook in place
(this is completely normal, EVERY Yeti and Yeti Pro have this feature
unfortunately), which annoyed me at first, but then I got used to it. Actually,
if you use your Yeti on a day to day basis, you don't really need to adjust the
gain and volume, because if you keep it in the same setup all the time, then
you shouldn't need to change the settings, unless you want to change things up
a bit. Otherwise, the Yeti is constructed very sturdily, and holds together
well.
I know I mentioned the headphone
volume knob, and that is in reference to the 3.5 millimeter headphone jack on
the bottom so you can have zero latency monitoring. The knob works fine, and
even using Apple headphones, I can hear myself perfectly at 75% volume.
Also, above the headphone volume
knob, there is the mute button, which always glows red, and then flashes red
when clicked, which means that the capsules will not record anything.
Now in terms of the polar
patterns, I mainly use cardioid, because it let's you be in front of the
microphone, and only records what's in front of it, so I can do voiceovers and
not worry about the rest of my house (the people in it of course) interfering
with the audio. The different polar patterns (cardioid, stereo, bidirectional,
and omnidirectional) are good for many other purposes, such as vocals, choirs,
live recordings of bands, podcasts, and virtually any other situation, but I'm
not going to get into the specifics of things because google will be your best
friend for that.
Basically the reason I wrote this
article was so that you would know if the Blue Yeti was right for you. If you
think all of its functions, capabilities, pros, and even cons are right for
you, then I hope I was helpful if giving you some insight about one of the
greatest microphones you can buy for (sometimes) less than $150.


